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Blog

Meet the Screaming Orphans!

By Erik Munnrson November 14, 2017

 

To further our commitment to Celtic culture, USA Kilts is teaming up with musicians to advance the spread of Celtic music across the globe.


We've partnered with Ireland’s own The Screaming Orphans to give away some great music!
Every customer who places and order through the USA Kilts website will get an email with a link to download 5 Screaming Orphans songs for freeThis promotion runs from November 10th 2017 to Jan 15th, 2018.

 



We sat down with the ladies of The Screaming Orphans and asked them a few questions...


USAK: When / Where did the band form and what is the origin story?


TSO: Well, you could say the band formed when we were born as we are four sisters. Our mother sang with her two brothers in a Céilí band (The Richard Fitzgerald Céilí Band) but when she started a family she left her brothers’ band but still loved to sing. As we grew up and showed some musical talent, we became her backing band for gigs in the local hotels. So I would say the band formed as soon as we were able to play a tune together.

 

USAK: What age did you start playing music?


TSO: I think we all started playing classical piano at about 7 years of age and Angela and Gráinne started violin lessons at 9. We started playing drums, bass, guitar in our teenage years.

 

USAK: Who were your musical influences?


TSO: Very much our Dad, our mother and uncle Richie. Our mother never stopped singing around the house, she has an incredible repertoire of songs. Our uncle toured with the great Scottish accordion player Jimmy Shand in Ireland when he was a teenager which resulted in him being a life-long lover of Scottish music, which in turn influenced us as kids as he taught us the tunes and songs when we were small. Our Dad loved old American Country music so we heard a lot of Hank Snow, Hank Williams, Boxcar Willie, he also loved John Mc Cormack. I have to mention Irish D.J. Larry Gogan and his Golden Hour, we never missed his programme. Later on, when Angela was starting the bass, she listened incessantly to The Pixies, Talking Heads & Fleetwood Mac.

 




USAK: What brand / model instruments do you / the band play?


TSO: Angela usually plays her 1973 Fender Precision Bass guitar. Her violin is grandfather’s. Gráinne generally plays a Taylor or a Breedlove acoustic ….until she puts a hole in them. She has a Takamine acoustic guitar at home in Ireland that she loves but won’t take it on the road. In the U.S , Joan plays a $250 (ebay) Sonor kit, at home she has a Yamaha 9000 kit she got years ago. She has an Albert Alfonso bodhran. Marie Therese plays a small Paolo Soprani piano accordion bought on ebay for $500 and her keyboard of choice is the Korg SV1.

 

USAK: What was the funniest thing that happened to you on the road?


TSO: Most of the stuff that happens to us on the road is not very funny at all …….maybe get back to us in a few years and we’ll have a different answer for you then.





USAK: What is your favorite song to play live?


TSO: It’s always the latest one so at this time it’s a song called Shine. We haven’t recorded it yet but plan to do so in the next few weeks. Now if you were to ask Joan what her least favourite song is, it would always be the same answer……..Whiskey In The Jar.

 

USAK: How important is it to have Celtic influence in your music?


TSO: When we were teenagers, our prime focus was rock/pop music but when we came to the U.S and got involved in the Celtic music scene over here we re-discovered our love for the Celtic music of our childhood. You take for granted what is part of you and when we realized how much people here love and celebrate their heritage it woke us up and made us realize that the old songs from home are dying out so we needed to perform them to keep them alive. There is a great effort going on in Ireland at the moment to pass on the tunes and to some extent traditional songs but the ballads are being neglected and the ballads are the songs of the working class people celebrating their areas and events so they have to be kept alive also. Some of our original pop songs are now starting to have more of a Celtic twist so it’s an ongoing journey for us.

 

USAK: Name ONE Other band in the Celtic Music scene who you think are doing an awesome job or are talented and tell us why you feel that way.


TSO: This is an easy question and we have 3 names……. Albannach, Rathkeltair and Old Blind Dogs. We consider ourselves extremely lucky to get to share stages with them. They are super talented and hard working and there’s not one ego amongst them. They inspire us and when we play with them we don’t just settle for a good show, we strive for excellence as all 3 bands never fail to raise the bar every time they perform.

 

USAK: What do you do when you’re not performing or on tour?


TSO: A whole lot of nothing.





USAK: What Social Media do you use the most if fans want to connect with the band?


TSO: Facebook is the only one we bother with. We are not that big on social media but we are forced into it because of the band. Still, it’s a great promotional tool so I can’t knock it.

 

USAK: What are the future plans for the band?


TSO: To keep writing, performing and getting better.

 

USAK: Any words of advice for budding musicians?


TSO: Never give up. The minute you stop is the minute you fail.

 

That sounds like great advice for more than just musicians!  To see when the band will be playing near you, visit:  www.thescreamingorphans.com

 

This year, Honor Vets of the Past and Help vets of the Present

By Erik Munnrson November 9, 2017

 We can’t improve on these words or pictures…

 

 


"Without heroes, we are all plain people, and don't know how far we can go." - Bernard Malamud



 

 


"The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here." - Abraham Lincoln

 

 

 


"Valor is stability, not of legs and arms, but of courage and the soul." - Michel de Montaigne

 

 

 

 


"In war, there are no unwounded soldiers." - José Narosky

 

 


"The willingness with which our young people are likely to serve in any war, no matter how justified, shall be directly proportional to how they perceive the Veterans of earlier wars were treated and appreciated by their nation." - President George Washington

 

 

 



“It’s about how we treat our veterans every single day of the year. It’s about making sure they have the care they need and the benefits that they’ve earned when they come home. It’s about serving all of you as well as you’ve served the United States of America.” – Barack Obama

 

 


"We remember those who were called upon to give all a person can give, and we remember those who were prepared to make that sacrifice if it were demanded of them in the line of duty, though it never was. Most of all, we remember the devotion and gallantry with which all of them ennobled their nation as they became champions of a noble cause."
- Ronald Reagan

 

To find out what you can do to support American Veterans, visit these organizations:

 

Wounded Warriors - "provides free programs and services to address the needs of wounded warriors and fill gaps in government care...now serving tens of thousands."

 

The USO - "has stood by our troops through every step of their service...from the day of their deployment through the process of rehabilitation from an operation or invisible wounds, all the way through to reintegration, we're there for soldiers and their families."

 

The Fisher House Foundation - "a network of comfort homes where military and veterans’ families can stay at no cost while a loved one is receiving treatment."

 

Team Rubicon - "providing disaster relief to those affected by natural disasters...by pairing the skills and experiences of military veterans with first responders, medical professionals, and technology solutions."

 

We were not sure if we wanted to discuss our products today. However, since we do have many vets and service members as customers, we decided to at least remind all of you that we happily offer a 10% Veteran's Discount with ID. It’s a small gesture, perhaps, but we very much appreciate your service. We are honored that you choose to use our products to show your pride. Thank You.


Sincerely,


Rocky and the team


 

When to wear a Kilt - November Edition

By Erik Munnrson October 17, 2017

 

NOVEMBER

 

Kilt up for Guy Fawkes Day

 

Guy Fawkes Day - Nov. 5

 

Also known as “Gunpowder Day”, this English holiday commemorates the infamous Gunpowder Conspiracy of 1605. King James I ascended to the throne of England in 1603. Following in the footsteps of Queen Elizabeth and Henry VIII before him, James was an ardent Protestant and his rule was under threat from Catholic groups at home and Catholic governments abroad. Sadly, this led him to continue and even step up the persecution of Catholics.

 

The Gunpowder Conspirators were an underground group of Catholics who sought to take action against the king and his government. Their plan was to blow up the British Houses of Parliament durng opening ceremonies -- thus assasinating the royal family as well as much of the government. The scheme was uncovered on November 5, 1605. The conspiracist, Guy Fawkes, was supposedly arrested just as he was about to light the fuse which would have ignited thirty six barrels of gunpowder hidden in the cellars beneath Parliament.

 

Allegedly. Some historians now question if the Plot was real or actually an elaborate sting operation or hoax by the government -- intended to legitimize James’ policies. Regardless, the anniversary has become an English tradition -- more about simply being British than about politics or religion. Gunpowder Day is celebrated with fireworks and bonfires. No, it’s not Scottish or Irish. However, if you have some English blood, or have English friends, this is a fine excuse for a dinner or a small party. Any excuse for fireworks, right? It's a good event and season for tweed.

 

 

 

Kilt up for Election Day

 

U.S. General Election Day - First Tuesday of the month after the first Monday of the month

 

This is a perfect time to show off both your heritage and your patriotism by participating in our most important national institution -- the Vote.

Get your friends and family out there, too! The right to vote is certainly worth celebrating. Naturally, we here at USA Kilts would be honored if you chose to wear our flagship tartan, American Heritage, for this day. Check out our American Eagle Kilt Belt Buckle, too!

 

 

 

Kilt up for USMC Birthday

 

USMC Day - Nov. 10

 

USMC Day celebrates the birth of the United States Marine Corps. The Continental Congress authorized the creation of the ‘Continental Marines’ on November 10, 1775. Later the service was renamed the U.S. Marine Corps.Since the Revolutionary War, the Marine Corps has participated in every war that has involved the United States.

 

If you are a Marine Vet, this is your day. If you know or meet a Marine, it’s a great chance to thank them for their contributions to protecting our country. USA Kilts offers the official US Marine Corps “Leatherneck” tartan in both wool and PV. Where does the nickname come from? It refers to the wide, stiff leather neck-piece that was part of the Marine Corps uniform from 1798 until 1872. The tartan was designed and registered in 1986 by Bob Hall and Ruraidh MacLeod.

 

 

 

 

Kilt up for Veteran's Day

 

Veteran's Day - Nov. 11

 

This holiday originally was called Armistice Day. The first observance was in 1921 when the U.S., France and England each buried an unknown soldier in honor of those who died in World War I. The day, and even the time at which the interment was performed, was chosen because the WWI armistice went into effect on November 11, 1918 at 11:11 a.m.

 

In November 1919, President Wilson proclaimed November 11 the first commemoration of Armistice Day saying: "To us in America, the reflections of Armistice Day will be filled with solemn pride in the heroism of those who died in the country’s service and with gratitude for the victory, both because of the thing from which it has freed us and because of the opportunity it has given America to show her sympathy with peace and justice in the councils of the nations…"

 

The original concept was that the day should be observed with parades, public meetings and a brief suspension of business beginning at 11:00 a.m. The 11th of November was made a legal holiday—dedicated to the cause of world peace -- by Congressional Act in 1938. In 1954, at the urgings of various veterans’ organizations, Congress renamed the US holiday ‘Veteran's Day’ in order to honor all those who have served in our nation’s conflicts over the years. Today is a day of pride and reflection for veterans of all ages and thier families.

 

USA Kilts is proud to offer a complete line of US Military Service Branch Tartans as well as Service Branch insignia leather sporrans. We also offer a 10% discount to veterans, contact us for details. And in case you are a living historian, let us know if you want a period-correct military kilt for your impression.

 

To all the Vets of every Service Branch - Thank you!

 

 

 

 

Kilt up for Thanksgiving 

 

Thanksgiving - Nov. 23

 

Thanksgiving! Food. Football. Parades. Traveling to see family (...even Uncle Joe). Crowded dining rooms and piles of dishes so high you could name mountains after them. What more needs to be said?

 

Harkening back to the great harvest feast held by the Pilgrims and Wampanoag Indians in 1621, Thanksgiving is perhaps the greatest American holiday. Individual states and municipalities held separate harvest celebrations around the country for centuries. It wasn’t until Abraham Lincoln proclaimed it in 1863 (at the height of the Civil War) that we had anything like a national holiday. Lincoln scheduled Thanksgiving for the final Thursday in November and it was intended to be a sort of day of healing and pious reflection on the losses of the war. In 1939, Franklin D. Roosevelt tried to move the observance up a week -- an attempt to spur retail sales during the Great Depression. However, people still preferred the old date so in 1941 the president signed a bill making Thanksgiving officially and permanently the fourth Thursday in November.

 

For those of celtic extraction, there’s an added layer of tradition and good cheer as recipes from the old country hit the table and grandparents tell stories about immigrant ancestors and life in the old days. Nothing wrong with having both colcannon and apple pie, right? Whatever your family’s traditions are, we hope kilting up is one of them. You want to look your best at the feast! If you are considering a new kilt or accessories for this season, consider muted tartans and weathered tartans to match the turning leaves outside and brown leather sporrans and belts for a more rustic and toned-down look.

 

 

 

 

Kilt up for Black Friday Sale

 

Black Friday - Friday after Thanksgiving

 

Are you planning to shop? Or stay home? Either way, throw on a kilt! You’ll certainly make an impression at the check-out line. Heck, you might even get VIP treatment! Love it or hate it, “Black Friday” is an institution. It is now one of the two busiest shopping days of the year. (the other one is the day after Christmas -- Gift Certificate/Returns Day)

 

Ever wonder where the name comes from? In old-fashioned accounting books, sums written in red signified a loss while black signified a profit. For many retail companies, the Christmas holiday season can account for up to one half to three quarters of their annual sales. Many retailers actually lose money (are “in the red”) or just break even until the holiday season. With the on-rush of gift shopping and the ease of enticing folks with special seasonal sales, Black Friday and the weeks that follow allow companies to get back in black.

 

As a small online company, we don’t do the whole Black Friday thing, but please do consider visiting us on Small Business Saturday or Cyber Monday! If you are gift shopping, take advantage of  our very handy USA Kilts Gift Card. If you plan to kilt up to hit the mall today, we suggest something rugged like a Casual Kilt. You must be prepared for anything, brother. Good Luck!!!

 

 

 

Dress in a quality kilt for your St. Andrews Dinner

 

St. Andrew's Day - Nov. 30

 

Will you be attending a St. Andrew’s Day Dinner? It’s about as Scottish as you can get. Saint Andrew's Day (Scots: Saunt Andra's Day, Scottish Gaelic: Là Naomh Anndrais) is the feast day of Saint Andrew, the patron saint of Scotland (as well as Cyprus, Greece, Romania, Russia, Ukraine, Bulgaria, and other lands). It is Scotland's official “National Day” and as such was designated as an official bank holiday in 2006 by the Scottish Parliament.

 

The celebration of this day as a national festival may have originated with King Malcolm III (1034–1093). According to some tradition, the ritual slaughter of animals usually associated with Samhain was moved to this later date as a means of ensuring enough animals were kept alive for winter. In Scotland, St. Andrew’s is considered the start of the winter festival season which peaks with Hogmanay and ends with Burns Night. In the town of St Andrews, and in some other Scottish cities, the celebrations can last a whole week!

 

Saint Andrew's Day is also an official flag day for Scotland. Government regulations stipulate that the Flag of Scotland, the Saltire, (ie. Saint Andrew's Cross) will be flown on all government buildings with a flag pole. This is actually a very recent policy. Prior to 2002, government buildings would only fly the Union Flag. Here in North America, Saint Andrews Societies across the nation will be hosting elegant and festive evenings of fine dining, music and dance to celebrate Scottish culture and heritage.

Click here to learn more about St. Andrew as well as the many ways you can show off your Scottish pride.

 

Star Wars & the Power of the Force at Ireland's Skellig Michael

By Erik Munnrson October 10, 2017

 

 'Star Wars: The Last Jedi'  -- on location in Ireland!

 

The final scene of The Force Awakens as well as the new trailer for The Last Jedi both make one thing clear. Luke Skywalker has, presumably, spent years on his isolated planet of self exile. Here, we are led to believe (so far!) he has been leading a monastic life. The landscape of the rocky island on his watery hermit world certainly oozes with loneliness and quietude -- a place for deep contemplation of the Force.

 

 

 

 

Well, the film’s producers certainly nailed the location, but they weren't the first to consider this particular landscape inspiring in a spiritual way. The location for the epic meeting between Luke and Rey is Skellig Michael (Irish: Sceilig Mhichíl) and was home to a Gaelic Christian monastery for at least three hundred years.

 

 

 

 

Skellig Michael, also known as Sceilig Mhór (irish for “Great Skellig”), is the larger of two rocky outcroppings in the wind-whipped ocean off the coast of Ireland’s Iveragh Peninsula, part of County Kerry. It has always been a home to seabirds, but also monks from sometime between the 6th and 8th century until the late 12th century.

 

That is, unless you agree with the Irish legend. It is said that Ir, son of Míl Espáine, is buried on the island. A medieval manuscript also claims that Duagh, King of West Munster, fled to Sceilig Mhór after feuding with the Kings of Cashel. Neither of these historical tales can be verified, but it clearly shows how powerful a place this island is for inspiring people, including Jedi.

 

 

 

 

 

The site was dedicated to Saint Michael some time prior to 1044. It was eventually abandoned due to worsening weather and suppression by the Catholic Church of native Gaelic Christian practices. The first clue to monastic activity on the island is a death record for one "Suibhini of Skelig" in the 8th century. Legend claims the monastery was founded by Saint Fionán in the 6th century.

 

 

 

 

There were probably no more than a dozen monks in residence at any one time. They were attacked by Vikings at least once in 823. The ruins of their little monastery, like the rest of the island, can be visited. The humble buildings stand on a terraced shelf 600 feet above sea level. The six dry-built structures are of the clochán “beehive” dome design. A number of stone crosses, slabs and water cisterns remain, as well as a later medieval church. 19th-century lighthouses stand on the Atlantic side.

 

 

 

 

Skellig Michael was designated a UNESCO World Heritage Site in 1996. Today there are regular boat tours to the island which include tours of the ruins as well as information on the unique environment. Bird watchers love the huge populations of gannets, puffins, kittiwakes, razorbills and more. Bottlenose dolphins and Grey seals may also be seen. If you don’t have access to an X-wing, simply drive to the state-of-the-art visitor center located on the mainland. 

 

 

 

 

So what do you think?
Did Star Wars successfully create an alien world from Ireland's rugged beauty?
Check out the Star Wars Trailer right here and judge for yourself!

 

 

When to wear a Kilt - October Edition

By Erik Munnrson September 28, 2017

 

Any day is a good day to wear a kilt! However, some days of the year call for it more than others. If you're looking for a fun reason to kilt up (or an excuse your boss can't question?), check out these national holidays and special occasions. Kilt on, lads! 

 

OCTOBER



Does your boyfriend wear a kilt?

 

National Boyfriends Day - Oct. 3

While it isn’t a recognized national holiday, this is as good an excuse for a date night as any. And a date night is a kilt night! It’s their turn to do something nice for you, but be sure to show your gratitude, starting with your best Celtic look.


If you’re trying to find a nice token for your best beloved on this day, take a look at our many accessories as well as our ever popular Gift Certificate.




Do you golf in a kilt?

National Golf Day - Oct. 4


As you know, the Scots invented the great game of golf. Many dedicated traditional golfers kilt up before hitting the course. Well, on this day you can look good and also do good. 


The Professional Golfer's Association (PGA) created this truly admirable event back in 1952 and continues to sponsor it today. The very first National Golf Day event was held at Cog Hill Golf and Country Club, in Lemont, Il. It was attended by many noted celebrity golf fans including Bob Hope, Dean Martin, and Jerry Lewis. The tournament raised $80,000 for charity.


Today the tradition continues with over 4,300 professional members of the PGA playing golf with contributors. The contributors’ entry fees go towards a wide array of charitable causes. Many golf courses hold their own charitable events, so check around to see if a local club has a fun day planned. 


Which kilt should you wear when golfing?

We recommend our Casual Kilt or Semi-Traditional Kilt. Both are light and comfortable for a day on a sunny course. 






Kilts are handsome for homecoming dances and fun to wear to football games!


Homecoming - any weekend in October


This month across the USA highschools and colleges will celebrate Homecoming with dances, football games, parades and more. If you're a student, alumnus or proud parent, this ia a fantastic opportunity to kilt up and have a blast! For attending the big game, you can choose either a casual kilt or, for something a little warmer in the bleachers, a 5-yard wool kilt. The brighter the tartan the better! 

 

If you are planning to attend a Homecoming Dance, it may be time to invest in a more formal kilt outfit. Take a look at our Argyll and Prince Charlie Kilt Packages for ideas. 

 

 

 

 

 

 Celts and Germans both love beer!

 

Octoberfest - any weekend in October


Wait. A German holiday? Yup! You see Rocky, our founder, is part German. He even designed the German Heritage tartan! More so, we are situated in Pennsylvania Dutch country, so we have a number of customers with both Celtic and German ancestry. Two great cultures that both LOVE BEER. In fact, lots of Celts and Germans around the world get together to raise a stein on this occasion celebrating the harvest, good cheer and camaraderie. Prost!








Celts and the Norse share some common culture

Leif Erikson Day - Oct. 9


Celtic and Norse blood in your veins? Then this is a good day for you.


Leif Erikson Day recognizes the first European to set foot on North American soil. Around 1002 A.D., Leif Erikson (aka: Leif, Leifur or Leiv. Last name: Erikson, Ericson, Ericsson, or Ericksson) sailed to North America from Greenland, where his family had lived for some time after his father, Erik the Red, had been exiled from Iceland.


Leif was searching for more hospitable lands and was following the vague directions of another norseman who had made a foray to the south but not landed. As recorded in his Saga, Leif made landfall at several points. The exact locations are hard to pin down but it is believed he landed along the coast of Newfoundland and may have gotten as far as Cape Cod. Leif only made one trip to “Vinland” but other northmen followed over the years including his brother, who was killed by Indians.


In 1964, a joint resolution by Congress officially declared October 9th as Leif Erikson Day.


So are you part Viking? Your personal genealogy will tell you for sure, but your name itself is a clue. Several Scottish clans, including Gunn, MacDonald of the Isles and MacLeod,  were founded by Vikings who settled in Scotland. The same goes for some Irish families from around Dublin, the Irish city founded by the Norse.


It’s a great excuse to add dashing Nordic-look accessories to your kilt outfit. Check out our Runic Scarves and Serpent Design Buckle!

 

 

 


Celebrate your Irish heritage on Halloween

Samhain and All Saint's Day - Oct. 31 / Nov. 1

 

What we now call Halloween was once the first Celtic fire festival of the year. The Irish name for the holiday is Samhain (sow-een or sow'-inn), which refers to the whole month of November. Samhain comes from the old Gaelic "samhraidhreadh" meaning "summer's end".


A sort of Celtic New Year’s Eve, the old pagan fire festival marked the beginning of the dark half of the year. It was a harvest festival as well as a signal to begin preparations for the winter -- the season of death.


Like the Mexican Día de Muertosthis holiday would include (and for many modern Pagans still does include) feasting and rituals to honor dead ancestors and loved ones -- the Fleadh nan Mairbh. Ceremonies involved fire, lights and setting out food and gifts for passing spirits. Some spirits were friendly and could bring good luck, while others were evil or mischievous. This was the root of the masking tradition we now know as trick-or-treating. After conversion to Christianity, most of these folk customs were still enjoyed though different meanings might be assigned to some of the elements. 


All Saints Day, the day after Samhain, was the primary Christian response to the pagan festivities. It is a time for prayer and worship dedicated to the dead in general, not merely canonized Saints, as one might expect. We'll discuss this holiday in more detail in our November post. 

When to wear a Kilt - September Edition

By Erik Munnrson August 23, 2017

 

Any day is a good day to wear a kilt! However, some days of the year call for it more than others. If you're looking for a fun reason to kilt up (or an excuse your boss can't question?), check out these national holidays and special occasions. Kilt on, lads! 

 

SEPTEMBER




VJ Day marks the en of World War II


VJ Day, WWII - Sept. 2

This is a good time to honor family members and ancestors who fought in World War II. And of course if you happen to own a Military Service Branch tartan kilt or American Heritage, this is a the day for it. 

V-J Day is actually celebrated on three different dates:

~ August 14, 1945, when the Japanese government cabled their message of surrender.

~ August 15, 1945, when the surrender was officially announced to the world.

~ September 2, 1945, when the formal surrender ceremony took place in Tokyo Bay aboard the USS Missouri. This is the date declared a celebration by President Truman.





Kilt up for your Labor Day BQ!


Labor Day - First Monday of September

Kilt up for the BBQ! Labor Day, the "workingman's holiday", honors American workers of any and all professions. As you probably know, it’s usually marked by picnics, backyard parties and parades, often sponsored by local labor unions. New York City celebrated the first Labor Day on September 5, 1882. It was moved to the first Monday in September in 1884. On June 28, 1894, Congress made it a national holiday.


If you are Irish, you can take extra pride in this holiday. Peter J. McGuire, an active labor organizer and co-founder of the American Federation of Labor is generally credited with getting the party started. Some historians also credit another Irish American, Matthew Maguire, secretary of the Central Labor Union of New York, with inaugurating the idea in 1882. Either way, it was an Irish American who made it happen!





Grandpa plays the bagpipes!


Grandparent's Day - First Sunday after Labor Day

National Grandparent's Day was created by President Jimmy Carter in 1978. This is a great time to gather the family for stories, good food and perhaps a dram of whisky in honor of your heritage. Don’t forget to get some family photos with everyone in kilts! 





Firefighters and fire department pipe bands often wear kilts on Sept. 11.


911 Remembrance - Sept. 11

A more sombre reason to wear your Celtic wear. This is a very important date for any American, but especially for firefighters, law enforcement professionals and members of our armed forces. Quite simply, everything changed that day. Don the kilt today with pride and honor our heroes. You live in a country where the freedom to express yourself will never be defeated. 9/11 was one of the main inspirations behind our development of the Firefighters Memorial Tartan, which you can read more about here. 





POW MIA Day asks us to remember those who have not returned home.


POW/MIA Recognition Day - Third Friday of September

July 18, 1979 was the first official commemoration by Congress of American prisoners of war and service people listed as missing in action. Over the following years, ceremonies were held on varying dates. In 1986, the National League of Families proposed the third Friday in September as a permanent day of recognition. The president of the United States issues a proclamation on this day each year.


On this day, kilt up and when someone asks you why you are wearing a kilt, take the opportunity to remind them of the plight of American POWs/MIAs and their family members. If you own a military branch tartan kilt, this is a good day to show your solidarity with your brothers and sisters in the service.





A day for any proud American!


Citizenship Day (Constitution Day) - Sept. 17

The Constitutional Congress of the United States of America met on September 17, 1787 to finally ratify the finished document. Since individual states then had to vote on it, the U.S. Constitution would not go into effect until March 4, 1789.


Constitution Day and Citizenship Day are combined to honor both this profound document and how lucky we all are to be citizens of the United States. The holiday is especially important and emotional for immigrants who have earned citizenship. Not to mention the families and descendants of immigrants. 


Of course as Celtic Americans, we know this story well. Now’s a great time to wear the kilt and reflect on the journeys of our ancestors. Those who fled oppression, hardship and even starvation to begin again in the land of “Golden Opportunity.”





The Autumnal Equinox is a Celtic holiday


Autumn Equinox -  Sept. 21 or 22

Fall begins! The day and the night are equal, which has held a fascination for Celtic people since ancient times. It’s a good time of year for a hike in the woods in your kilt. Or a trip to the farm to pick apples. If you’re a Celtic Pagan or Wiccan, you may also be celebrating a harvest festival today such as Harvest Home, Mabon, or Alban Elfed. Weathered Tartans have a great earthy feel while Muted Tartans capture the tones of fall foliage. Both are great choices for any specil event this time of year, especuially a wedding. Kilt up and enjoy sharing the fruits of the earth with your friends and kin. Winter will soon be here, so seize the day! 

 

 

 

 

Blackberry tarts are a traditional Michaelmas treat!


Michaelmas - Sept. 29

This day is the Feast of Saint Michael the Archangel. The name comes from a shortening of "Michael's Mass." Since it is so close to the Autumnal Equinox, the day is associated with the beginning of Fall and coming of Winter’s shorter days.


Celts, and especially Scots, have held celebrations on this day for ages. One notable procession takes place on the Isle of Skye each year. Many activities associated with the Celtic pagan holiday of Lughnasadh in August were incorporated into this Saint’s Day including sports competitions, festival games and horse races. 


One traditional food is the special bread called St Michael's bannock or Michaelmas Bannock (Scottish Gaelic: Sruthan Mhìcheil). Originating in the Hebrides, this cake is made from equal parts barley, oats, and rye. It is made without using any metal implements in remembrance of absent friends or those who have died. In honor of these people, some cakes are blessed at an early morning Mass and given to the poor. The last blackberries of the season are often picked and made into Michaelmas pies.


12 Questions with James Johnston from Albannach

By Rocky Roeger July 25, 2017

Albannach Music - Bareknuckle Pipes & Drums

 

To further our commitment to Celtic culture, USA Kilts is teaming up with musicians to advance the spread of Celtic music across the globe. We've partnered with Albannach to give away 800 CD's and 70 DVDs.  While supplies last, USA Kilts orders over $25 will get a free Albannach CD and orders over $100 will get a free Albannach DVD.  Promotion begins July 26, 2017.

 

The first in our Celtic music series of interviews, we sat down with James Johnston from the band Albannach to ask him a few questions.  

 

 

USAK:  When / Where did the band form and what is the origin story?

James Johnston:  Albannach started in 2006 although some of the band members had been in another Pipe and Drum band previously.  That lit the fire for what you see on stage now, Albannach.

 

USAK:  What age did you start playing music?

James Johnston:  I was a late starter into the music scene myself, not starting till about my mid twenties. My life was on a very different course until the drumming came along, so to be honest I didn’t have plans to step into this crazy world of music.  It kind‘a all just happened. I guess I have just let the music take me on a journey. It’s scary at times because I am not always at the wheel of this crazy train.

 

USAK:  Who were your musical influences?

James Johnston:  I remember my first ever time listening to Pink Floyd and being blown away by the lyrics and the tunes. As a young lad, I felt that I could relate to the words, growing up and rebelling against everything the grown up world was telling me I should be doing. As I got into the music scene myself, I truly believe strange as this sounds that Pink Floyd had an influence on the tunes that we would write as Albannach. Yeah I know, Bagpipes and drums where does Pink Floyd come into that?  But it’s there, lurking in the background, trust me. I would also give credit to Lemmy and the band Motorhead for fueling the drive and passion that comes out when we perform "WE ARE ALBANNACH and WE PLAY PIPES AND DRUMS!!”

 

USAK:  What brand / model instruments do you / the band play?

James Johnston:  The Drums we play are simply 8 ply maple shell bass drums supplied by a company called Kellar who supply all the raw shells for companies such as Pearl and DW.  Custom leather work and hand forged iron tensioners help give us the look we are after: battered War drums!

 

USAK:  What was the funniest thing that happened to you on the road?

James Johnston:  There are so many stories from the road that it’s hard to put my finger on just one. I mean 15 years touring with a bunch of nut jobs does give you ammunition for crazy stunts ranging from boozing with the mafia in Russia to playing darts with 7 foot tall ‘ladies of the night’ in South Korea.  There are too many crazy times to recount and you couldn’t print most of them. Some things best left to the imagination.

 

USAK:  What is your favorite song to play live?

James Johnston:  I think my favorite song to play with the band is a track we call Tweedle Dee. I love the flow of the tune and how the pipes float. It’s also a crowd favorite, so I love the energy we get from the fans while we play it.

 

USAK:  How important is it to have Celtic influence in your music?

James Johnston:  To maintain a Celtic influence in our music is vital. Our love of Scotland is what got us started in the first place.  Now we spread the history and the culture as we travel on. Yeah we may sometimes drift off the path a little, but we will always stay true in our hearts to Scotland and our Celtic roots.

 

USAK:  Name ONE Other band in the Celtic Music scene who you think are doing an awesome job or are talented and tell us why you feel that way.

James Johnston:  Touring all the time we get to share the stage with some braw bands and to be honest some not so braw bands. Haha. One that I am really enjoying working alongside right now is the all girl band from Ireland, The Screaming Orphans. The level of talent is sky high from the harmonies, to their instrument playing, to the stage craft they display. They are also the most down to earth band you'll meet.  Sweethearts the lot of them.

The Florida based Celtic rock band Rathkeltair is another band that blow me away each time I hear them.  Again, off the charts talented and their song writing skills via lead guitarist Trevor Tanner are pretty amazing. If its Celtic rock you’re after, that would be the horse I’d back.

 

USAK:  What do you do when you’re not performing or on tour?

James Johnston:  In between all the US touring  We also do our own musical tours to Scotland which we call BRONACH where we team up with old friends from the band Brother and work alongside Bill and Karen Reid from East of the Hebrides entertainment. These are amazing trips that give us a chance to showcase our beautiful homeland, while playing music for some of the nicest people you'll ever meet.

On a personal note, I have also started my own hiking tours of Scotland. These are the moments where I can plug back into mother Scotland and have the honor of guiding folk along with me.  Hiking is a passion of mine, so I feel blessed to be able to call this a job!

 

USAK:  What Social Media do you use the most if fans want to connect with the band?

James Johnston:  I think when it comes to social media, we are much the same as every other band out there.  We knock the hell out of Facebook. It’s a great way for connecting with nearly everyone out there and spreading the news about your gigs and what the band is up to.  I like Instagram too.  It’s not as detailed as Facebook, but it’s fun posting pictures that you wouldn't put on facebook.  More day to day stuff.

 

USAK:  What are the future plans for the band? 

James Johnston:  Right now our plans are to keep touring and working as hard as we can, while also trying to find time to get the long awaited 4th studio album completed. It’s really all about time and how to fit everything in. We will mange though. It’s what we do.  Hammer down!

 

USAK:  Any words of advice for budding musicians?

James Johnston:  If any young musicians asked me my advice, I’d say fix a time frame in your mind that you want to be out gigging and playing shows.  Be it a 3 year deal or a 5 year deal, but fix that timeline and make it happen. Get your head down and practice, network and be original.  Own what you do and don't conform to what the man tells you to be!

 

For tour dates, visit Albannach's website:  http://www.albannachmusic.com/tour/ 

 

To get a free copy of Albannach's cd "Evolution" (while supplies last), place an order over $25 through our website.

Celtic Bands for Summer!

By Erik Munnrson July 21, 2017

It's time for summer road trips, kilts and and some great Celtic music.
Check out these amazing Celtic bands!

 

There's a little bit of something here for everyone, from traditional Irish folk, to bagpipes to hard-slammin' Celtic punk rock. We've linked to each band's FB page so you can check out their music and find out if they are touring (most of them are!). Slante!

 

 

 

Dropkick Murphys formed in 1996 in Boston, MA. The band was originally just a bunch of friends looking to play music for fun. We started playing in the basement of a friend’s barbershop and our goal was to blend the musical influences we had grown up with (Punk Rock, Irish Folk, Rock, and Hardcore) into one loud, raucous, chaotic, and often out of tune mix that we could call our own.

To our surprise people seemed to like it and we began to record music and tour constantly. To date we have released numerous singles & EP's, a live album, a DVD and six full length albums and have had the good fortune of being able to play across a large portion of the world. We are truly grateful to the many friends and bands that have helped us out and supported us along the way in the US, Canada, Europe, U.K. Ireland, Scandinavia, and Australia as well as the many countries we look forward to playing in the next century.

The bands’ main goal is to play music that creates an all for one, one for all environment where everyone is encouraged to participate, sing along, and hopefully have a good time. In the true spirit of punk rock we view the band and the audience as one in the same; in other words our stage and our microphone are yours.

In addition to hopefully bringing people together for a good time, we hope to share some of our experiences and beliefs in working class solidarity, friendship, loyalty and self- improvement as a means to bettering society (i.e. You can preach till you’re blue in the face but if you’re lying in the gutter no one’s gonna listen. If you pick yourself up by the bootstraps and live your life to the best of your ability you may set an example that others will follow).
The Dropkick Murphys

 

 

Award-winning quartet WeBanjo3 from Galway, Ireland combine Irish Music with Old-Time American and Bluegrass influences to reveal the banjo’s rich legacy and roots. When this band of brothers take flight in a wave of virtuosity, verve and joie-de-vivre, feet tap and pulses race.

Enda & Fergal Scahill and Martin & David Howley are among the most celebrated and distinguished young musicians in Ireland today. 

Featuring banjo, fiddle, mandolin, guitar, vocals and percussion We Banjo 3 make a bold and extraordinary musical statement. Creativity, sensitivity and passion are present in full measure and Irish music is at the heart of what they play.

Collectively, WeBanjo3 have been at the forefront of Irish banjo and fiddle for 2 decades. Their competitive success is unrivalled, Martin holding 7 All Ireland titles, Enda with 4, while Fergal and David hold All Ireland titles on Banjo, Fiddle, Bodhran and Guitar.

Enda has recorded and toured with the best of the best including The Chieftains, Frankie Gavin, Stockton’s Wing, Grammy-winner Ricky Skaggs and “Instrumental Band of the Decade” The Brock McGuire Band. Fergal has performed with David Munnelly, Martin O’Connor and Kevin Crawford and has toured the world with Ragus and Celtic Legends. Martin was the very first Irish banjo player to perform at the Grand Ol’ Opry in Nashville and David is fast building a reputation for his deep, muscular singing.

We Banjo 3 play with swing and soul, effortlessly combining the best of Irish and Bluegrass banjo music and song, mining the rich vein of the American Old Time tradition and thoroughly reinventing the banjo band sound. Modern rhythms, traditional melodies, virtuosic technique and innovative arrangements of music and song add up to an incredible feast of banjo and mandolin music – guaranteed to put a smile on your face and get your feet tapping.
We Banjo 3

 

 



Since they walked away with the top prize on UK primetime TV talent show, 'When Will I Be Famous' in 2007, the Red Hot Chilli Pipers haven't stopped for a breath, other than to inflate their bagpipes! Taking their signature 'Bagrock' sound to the masses, The Chillis have fast become a global phenomenon, rocking far-flung shores from Melbourne to Milwaukee and everywhere in between.

With three albums already under their belts, the band’s most recent release ‘Music for the Kilted Generation’ took Bagrock up another gear in 2010. With clever covers of ‘Long Way to the Top’ by AC/DC, ‘Baba O’Reily’ by The Who and a great version of ‘Lowrider’ by War- just a few examples of how well rock tunes fit on the bagpipes! Previous live album and DVD ‘BLAST Live!’ (REL Records, 2009) has already gone triple platinum in Scotland plus second album ‘Bagrock To The Masses’ (REL Records, 2008) has just achieved gold status in the UK. 

The Chillis have spent much of 2011 perfecting their phenomenal live act with sell out shows across the globe. Kicking things off in April, with an eight week tour of mainland Europe then coming home in August to perform at the world renowned Edinburgh Festival and Glasgow’s ‘Piping Live’-the band barely had time to do their washing before jetting off again!

A six-week jaunt ‘Down Under’ followed with the guys managing to find time in amongst their hectic schedule to support the Scottish rugby team at the World Cup. Their Red Hot performances earned them a new legion of fans from Auckland to Adelaide! 

Further trips to the USA, Saudi Arabia and the UAE saw the band cement their reputation as one of the most exciting live acts around! 

 

 

Albannach is Scots-Gaelic for "Scottish" or "Scotsman". That's exactly what we are - born and bred in Scotland, our purpose in life is to share our intriguing culture, history and heritage with you by means of our music.

Albannach are not just another Scottish 'Pipes & Drums' band, indeed we bring a new and exciting form of music to your living room. A championship winning piper, an extremely talented main drummer, bass drummers and bodhran musician bring you a brand new approach to percussion and Celtic music. Our style of music is exciting, energetic and enchanting and we promise to leave you begging for more. Albannach

 

 

The Field Marshal Montgomery Pipe Band are 10 time RSPBA World Pipe Band Champions, and the most successful pipe band from Northern Ireland. Led by Pipe Major Richard Parkes MBE and Drum Sergeant Keith Orr, the band practices in Lisburn, Northern Ireland, and draws members from across the country, as well as having welcomed players from Scotland, England, Canada, Australia, New Zealand, USA, Denmark, and France. The band is one of the world's leading competition pipe bands, and also performs in concerts and events. Field Marshall Montgomery Pipe Band

 

 

The Young Dubliners are quite possibly Celtic rock's hardest working band, playing hundreds of shows to thousands of fans across the US and Europe every year. In recent years they have twice appeared on ABC's Jimmy Kimmel Live!, had songs featured in TV shows (Sons Of Anarchy, Human Target) and toured extensively as a headliner and as the opener for such a diverse list of artists as The Flaming Lips, Collective Soul, Jethro Tull, Johnny Lang and many more. 

Although the Young Dubliners sound is most commonly called 'Celtic Rock', that label, as labels often can be, is misleading. The Irish influence is there, certainly, but it's not the only influence that rears its head on their albums, or in live shows. After all, several of the band members have no Irish roots of any kind. "That was always the idea", Keith Roberts, lead singer for the band explains. "The sound was always intended to be a hybrid because we all come from different backgrounds. Even though two of us are from Ireland, a lot of the music we listened to growing up wasn't Irish at all, but when we got here, we got homesick and developed a new appreciation for Irish Music. In truth the Celtic riffs can just as easily come from the American band members. Everyone writes now so you never know what you'll end up with when you start on a new album. 

The band has just released their brand new studio album, NINE. It contains ten brand new original songs with the usual blend of themes and tempos to keep the listener captivated. This was a unique experience for the band as they released it independently for the first time in their career. 

"We had a few offers but decided we were well overdue to take things into our own hands," says Roberts, "After eight albums on various labels it just seemed right to go it alone for once and maintain full creative control." 

However 'going it alone' did not mean without financial support and for that they turned to their fans. After only two weeks the band had received over half the necessary funds to complete the recording, manufacturing and marketing plan for the album and work began on February 1st, 2012. The road intervened as is usual for this non-stop touring band and the recording process was put on temporary hold as they commenced a long US summer tour followed by a month long European Fall run. 

Now, with the Album finally hitting the streets on March 4th, the Dubs are out on the road again in support. 

"Having a whole album of new songs really invigorates the live show for us and makes it exciting all over again" say Roberts. "It's like a shot in the arm every time we go through this process". 
Young Dubliners

 

 

The story of SEVEN NATIONS is that of a truly original and determined band that began in New York City, with members now hailing from California, to Toronto, to Florida. They have for years booked their own tours, have their own PBS and CNN specials, and use bagpipes the way Jimmy Page uses his guitar. Throw away any preconceived notions you may have about kilts and Celtic music; this is a band that has invented its own sound and attracted a prodigious national and international following.

Through its touring schedule and dynamic live performances, SEVEN NATIONS has become one of the fastest growing live acts nationwide. They have logged in more than 300,000 touring miles trying to make its less familiar music universal for old and new fans alike. To the five member band, that means being on tour 85 percent of the year, melding piano, guitar and vocal elements of American pop and rock with Highland bagpipes and fiddle. The result is a high-energy performance that has fans jumping out of their seats, and has sparked interest industry-wide.

Equally at home in front of 40,000 cheering fans at an international festival, with the widely recognized, Grammy award winning, symphony orchestras, or with 300 fans in a small Midwest club, SEVEN NATIONS has created a truly hybrid sound and transient live show. The depth and complexity of SEVEN NATIONS' music is astounding, each listen reveals a deeper layer of intricacy that has been embraced by an ever growing audience. "We are lucky," says McLeod, lead singer/songwriter and founding member of the band, "because we come from two unique cultures. We love American pop and rock and roll, but we also love our Celtic roots. We want to touch everybody with our music," he continues, "and so far, we have been very, very fortunate." 
7 Nations

 

 

After 10 albums, and nearly 3,000 live shows, Gaelic Storm — the chart-topping, multi-national Celtic band — is dishing up a hearty serving of Full Irish. The greatest-hits album spans the bulk of the band's career from 2004-2014, mixing crowd favorites and concert staples with three previously unreleased recordings.

Gaelic Storm has straddled the line between tradition and innovation for nearly two decades. Led by founding members Patrick Murphy and Steve Twigger, the group infuses traditional Celtic music with modern influences, updating the genre for a new generation of fans raised on rock, country and folk. Along the way, the musicians have topped the Billboard World Chart four times, appeared in the blockbuster film "Titanic" (where they performed "Irish Party in Third Class," an unreleased song made available for the first time on Full Irish) and earned a reputation as a hard-touring, genre-bending band. 

"We have earned every single one of our fans, one at a time," Murphy says. "There's no sponsorship. No corporation is pulling strings. Every fan is made by us playing a show and shaking hands and learning names. We've become friends with so many of them. When someone at a show tells me they've never seen Gaelic Storm before, I say, 'Welcome to the family.'" 

Full Irish pays tribute to the group's diverse journey. The album features sea shanties and drinking songs, traditional tunes and originals, instrumental workouts and vocal showcases. "Whiskey in the Jar," another brand new recording, even harks back to Gaelic Storm's early days as a pub band in Santa Monica, California, long before the group played the Telluride Festival, the Rock Boat cruise, or high-profile theaters in countries like France and Spain. Together, these 15 songs celebrate the sunny side of life, urging listeners to raise their pint glass and stomp their feet.

"When you go eat pub food in Ireland," explains Steve Twigger, "you can order the 'Full Irish," which is a combination of mushrooms, beans, bacon, sausage, black pudding, white pudding… It's the works, basically. That idea seemed to represent everything about this album. This is the works. Everything we do is represented." 

Regularly playing more than 120 shows a year, Gaelic Storm has built a loyal following as diverse as the band's own music. Fans of traditional Irish music have championed the group for years, but so have fans of harder-edged Celtic rock. On tour, Gaelic Storm is just as likely to play a large rock club as a plush theater. The band makes regular appearances on cruises, too, joining artists like the Barenaked Ladies and Michael Franti.

"Our audience spans the whole spectrum," Twigger says. "We'll play a rock venue one night, then a performing arts center that might've hosted a ballet performance the night before. We've got hardcore fans who love our energy, Jimmy Buffet fans who love our message, folk fans who love our stories. Everyone can appreciate it, and that's been the secret to our longevity."

"Looking back over our past albums is like flipping through a photo album," adds percussionist Ryan Lacey, who joined the band in 2003. "Each record was made during a different time and a completely different phase of our lives. What hasn't changed is the message. We want everybody to have a good time, to enjoy themselves. It's the sort of message that everyone can get behind."

Although Full Irish takes a look backward, Gaelic Storm is still moving ahead at full speed. There's another studio album in the works, as well as plenty of tour dates on the books. Hungry for more rule-breaking Celtic music? Full Irish will satisfy your appetite… even if it's just an appetizer for what's to come. 
Gaelic Storm 
 

 

 

Based in their hometown of Toronto, Ontario Enter the Haggis has been making Celtic Rock/Indie/Roots/Folk music people love since 1996. Band Members include Brian Buchanan: Fiddle, Keys, Guitars, Vocals Craig Downie: Bagpipes, Harmonica, Whistle, Trumpet, Vocals Trevor Lewington: Guitars, Vocals, Mark Abraham: Bass, Vocals, Bruce McCarthy: Drums.  Enter the Haggis 

 

 

 

 

FullSet are one of Ireland’s most accomplished and sought-after bands in Irish Traditional Music today. This young and exciting group creates a sound that is full of energy & innovation, whilst all the time remaining true to their traditional roots.

“FullSet was THE breakout band at the Irish Fair of Minnesota 2013.Their energy was infectious and the crowd response was incredible. They were able to connect to all ages, from Mohawked teenagers, to their grandparents. I had heard good things about them, but the musicianship, and stage presence playing live exceeded every expectation I had.”
- Mike Wiley, Vice Chair/Entertainment Director of Irish Fair of Minnesota

FullSet have received much critical acclaim in recent years, even being compared to super groups such as Danú & Altan by respected Irish Music Magazine. Their meteoric rise in the music world was given a massive boost in 2011 when they were honoured by being announced as the winners of the RTÉ/RAAP Breakthrough Annual Music Bursary Award. FullSet subsequently went on to receive the “Best New Group Award” from well-respected Irish American News and were also named “Best Newcomer” in Bill Margeson’s Live Ireland Awards in 2012. Most recently, the group were honoured to be announced as the "Top Traditional Group" of 2014 at the Irish Music Awards.

Following the tremendous success of their debut album “Notes At Liberty”, the group’s profile was further raised with the release of their follow up title, “Notes After Dark” in 2013. Irish Music Magazine described it as having “so many good tracks, so much energy, a band in full control and having such fun yet well able to bring things down to a tearful pause”. “Notes After Dark” was also named Album of the Year in 2013 by US radio programme “Celtic Connections”.

FullSet comprises six of the most talented and versatile young musicians in the traditional Irish music scene today. Michael Harrison, on fiddle, creates a distinctive sound using original and colourful techniques. Martino Vacca is an exceptional uilleann piper and employs his mastery of this instrument in all pieces arranged by FullSet. Talented musician, Janine Redmond, on button accordion maintains a rich traditional style that is becoming ever so rare in traditional music today. Eamonn Moloney on bodhrán and Andy Meaney on guitar, effortlessly blend the music together with a sensitive yet driving accompaniment section. The emotive singing style of Marianne Knight completes the ensemble, which is guaranteed to captivate audiences of every generation.

To date FullSet have been featured on some of Ireland’s most prestigious TV and radio programmes including “The Late Late Show”, RTÉ’s Céilí House and TG4’s hugely popular Irish music series “Geantraí”. They have worked with Disney and have also performed at some of the most prestigious celtic and world music festivals across North America and Europe, some of which include the Copenhagen Irish Festival, Festival Interceltique de Lorient, Germany’s Irish Folk Festival Tour, Guinness Christmas Austria Tour, Lotus World Music & Arts Festival, Dublin Irish Festival, Kansas City Irish Fest and North Texas Irish Festival. They have shared the stage with some of the biggest names in folk and world music including Moya Brennan, Declan O’Rourke, Lúnasa, Carlos Núnez, Andy Irvine, Donal Lunny and Beoga. 

FullSet’s ability to showcase Irish music, song and dance of the highest quality, in an energetic and fun filled manner has proved immensely successful and they continue to thrill audiences around the world. 2015 is shaping up to be an extremely exciting year for the group as they begin work on their third studio album. 
Full Set

 

 

 

 As they approach their 50th anniversary in 2018, the Tannahill Weavers are one of Scotland's premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can't get better...yet continue to do just thatThe Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, "The Tannahill Weavers - properly harnessed - could probably power an entire city for a year on the strength of last night's concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll."


Born of a session in Paisley, Scotland and named for the town's historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. The Tannahill Weavers began to attract attention when founding members Roy Gullane and Phil Smillie added the full-sized highland bagpipes to the on-stage presentations, the first professional Scottish folk group to successfully do so. The combination of the powerful pipe solos, Roy's driving guitar backing and lead vocals, and Phil's ethereal flute playing breathed new life into Scotland's vast repertoire of traditional melodies and songs.

Three years and a dozen countries later, the Tannahills were the toast of Europe, having won the Scotstar Award for Folk Record of the Year with their third album, The Tannahill Weavers. Canada came the next summer, with thousands at the national festivals in Vancouver, Winnipeg and Toronto screaming an approval that echoed throughout the Canadian media. The Regina Leader-Post wrote, "The Tannahill Weavers personify Celtic music, and if you are given to superlatives, you have to call their talent 'awesome'."

Since their first visit to the United States in 1981, the Tannahills' unique combination of traditional melodies on pipes, flute and fiddle, driving rhythms on guitar and bouzouki, and powerful three and four part vocal harmonies have taken the musical community by storm. As Garrison Keillor, the host of "Prairie Home Companion", remarked, "These guys are a bunch of heroes every time they go on tour in the States".

Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes.  In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame, and in 2014 they are joined by innovative piper Lorne MacDougall. Lorne comes with a high pedigree, having arranged and performed pipes for the Disney Pixar movie “Brave”, along with a long list of other accomplishments.

With their impending 50th anniversary in 2018, the Tannahill Weavers are firmly established as one of the premier groups on the concert stage. From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.  


 

 

Burning Bridget Cleary has been performing and recording their distinctive style of Celtic traditional music since 2006.

Band-leader, Rose Baldino, drives this band with an unusual combination of charisma, crackerjack fiddle work, and tightly woven harmonies. The front of the band is shared with some of the best Celtic fiddle talent on the East Coast. Currently featured is Amy Beshara, a multi-talented fiddler/vocalist, from the NYC Scottish music scene. A driving rhythm and bass end is supplied by Lou Baldino on guitar and Peter Trezzi on percussion. Known for their captivating sound and engaging stage presence, Burning Bridget Cleary is currently one of the hottest young acts on the Celtic and folk music circuits. 

The foursome has earned a reputation for presenting high-spirited Celtic music at festivals, concerts, and music series all over the U.S., including a 2011 tour to Ireland. While in Ireland, the band had a unique opportunity to visit the rural County Tipperary cottage of their namesake, Bridget Cleary, who is remembered as "the last witch burned in Ireland".

The band broke new ground in 2013 when their fourth CD, “Pressed for Time,” hit #1 on the Roots Music Folk and Roots Charts, and finished the year as one of the Folk DJ’s most played albums. Their second release, “Everything is Alright”, was awarded “2009 Album of the Year” by 
CelticRadio.net in Boston. Their third album, “Totes for Goats” was formally entered into the Traditional Irish Music Archives in Dublin, Ireland.

BBC’s music is featured on hundreds of radio programs worldwide, including syndicated programs, Thistle and Shamrock, FolkScene, SingOut Radio, and The Midnight Special.

Burning Bridget Cleary was listed in Marc Gunn’s “Top 20” International Celtic bands for 2014. Burning Bridget Cleary   

 

 

 

What can you say about Barley Juice that hasn't already been said? In a slur? Kyf appeared in a John Waters movie. Swanny was a member of the Flailin' Shilelaghs. Alice left her beer in the looking glass. John connected his arm freckles with a sharpie, and Eric left his pants in Massachusetts.. Nuff said. Band interests include Drinking, singing about drinking, singing while drinking, drinking while singing. We never drive while drinking, but we do drive while singing drinking songs, which drives others to drink, giving our drinking songs more drive. Barley Juice

 

 

 

Blaggards (no “the”, pronounced BLA’ GUARDS or BLA’ GHERDS, depending on where you’re from) formed July 2004 in Houston, Texas.

We play what we call Stout Irish Rock, traditional Irish music mixed with rock n’ roll, informed by everything from Johnny Cash and Elvis Presley to Thin Lizzy and Black Sabbath. We are most frequently compared to bands like Flogging Molly, Dropkick Murphys, and the Pogues.

Blaggards are guitarist/vocalist Patrick Devlin, bassist/vocalist Chad Smalley, drummer Michael McAloon, and fiddler Wes Barlow.

Front man Patrick Devlin grew up in Dublin, Ireland, and moved to Houston in his early 20′s. After working in the local club scene for several years, Patrick saw a demand for Irish rock music that nobody was taking advantage of. In 1996, to this end he formed a band called On The Dole. Although the band did well, opening for legendary Irish touring acts like the Wolfe Tones and the Saw Doctors, eventually Patrick decided it was time to clear the decks and start again.

In 2003, while hosting a weekly open mic at an Irish pub, Patrick met bassist and singer Chad Smalley, a veteran of the Houston music scene who had recently returned from New York and was looking for a new project. The two of them soon began singing and performing together every week, developing a tight vocal harmony style. A year later, Blaggards was born.

Michael, a first generation Scot-American, grew up learning Irish step dancing, winning gold medals all across the United States before picking up the drums at age 13. A veteran of the Houston music scene, Mike has toured the country many times and studied jazz at the University of North Texas. Mike joined Blaggards in January 2009.

Wes Barlow, born in Memphis, Tennessee, and started playing violin when he was ten years old. After relocating to Texas in the 5th grade, he realized that the fiddle was his calling. He started playing in Texas country bands when he was 16, has won several national classical music competitions and performed on multiple albums. Wes joined Blaggards in January 2017.

Blaggards maintain a rigorous schedule, playing constantly throughout Texas and touring nationally several times a year. We've also toured Ireland every year since 2010. Our music has appeared in movies and TV. An original instrumental entitled "Kerfuffleful" appears in the New Line Cinema motion picture How to Be Single, released February 2016.  
Blaggards

 

 

 

Paul McKenzie claims he had a epiphany when he was subjected to an Andy Stewart record which was playing in one room, and intertwining with the vulgarity of a Sex Pistols album emerging from another. That year was somewhere around 1992, the setting was Vancouver Canada,and McKenzie was looking for something new, since his band TT Racer had recently disbanded. Who would have thought that a great deal of fun could be had pilfering your parents closet of old kilts and high socks to wear on a stage on which you would perform cover songs of various bands, altered slightly, to fit a scottish theme. Example: I Wanna Be Your Scot as opposed to I Wanna Be Your Dog. You get the point. Someone probably joked, If were gonna wear kilts, we might as well have a piper too.

While certainly not a new angle in rock music, the bagpipes were only ever used in a couple of songs at most by various bands, never a mainstay of an entire set. Soon though, it was apparent that this was a distinctive sound that could be finely tuned, with the soaring pipes complimenting the ferocious electric guitars and vise-versa. Of course the first thing that springs to mind is the word gimmick. Sure, I guess thats applicable here. But before you go taking things way to seriously, lets also not forget the concept of show buisness. People annually spend a shitload of money for the sole purpose of being entertained. So why not go out of your way to be entertainment? That was all a moot point with the McKenzies anyway. Because they just wanted to have fun, and you are more than welcome to have fun with them, as hundereds of thousands have. Sure some will read too much meaning into the whole idea, and take it out of its realm of fun, and those people should just shut the fuck up and drink their beer.

14 years later, the Real McKenzies have achieved lengendary status. Their live shows are highly regarded and they have been known to leave large audiences choking on their own dry mouths. They've been influence to more than a few bands, and ironically have been accused of ripping those same bands off, usually by journalistic hacks on the internet. They've toured the world endlessly, and frightened more than a few people at times, but its a small percentage to the numbers of people who leave their shows with ear to ear grins and think about the great time they had for weeks to come. I can imagine it will take death to stop these guys from doing what they do best, and that's kicking your ass in the face at each and every show they play. 
The Real McKenzies

 

 

 

 

The Screaming Orphans are four fun sisters with the good fortune to have been raised in the magic of Bundoran in County Donegal Ireland. 

There is a great tradition of music to be found in Irish homes especially in the Gaeltacht or Irish-speaking areas which have produced the likes of Clannad, Enya and Mairead, Micheal and Triona Ni Dhomhnaill. Our home was no exception. From we were young, we’ve been singing and playing traditional Irish music but when we hit our teenage years we knew it was time to start our own rock band. 

Our first gigs were at local surf festivals at Bundoran and playing covers of the Red Hot Chili Peppers, Indigo Girls, and others. We were soon writing our own music and traveling to Dublin to play the Baggot Inn, Slattery’s, Whelans, and Mean Fiddler.

Our next break came with an invitation to play at a St.Brigid’s day concert in Kildare along with truly great Irish artists like Christy Moore, Liam O’Maonlai, and Sinead O’Connor. Sinead asked us to be her back-up singers and open her show so we went on tour across Europe, America and Canada, and appeared on David Letterman and other shows. 

The following year was spent touring with world music star, Babba Maal, singing at his homecoming concert in Dakar Senegal, and contributing vocals to his album “Nomad Soul.” We also recorded with Peter Gabriel and were backing vocalists on the Joni Mitchell track ”Magdalene Laundries” for the Chieftains “Tears of Stone” album.

A year later, we signed with Warner UK (WEA) and recorded our debut album in Normandy France with the legendary Mike Hedges, who has been producer for the likes of Siouxie and the Banshees, U2, Manic Street Preachers, Texas, and Travis.

While we can never forget our roots in traditional Irish music, the Orphans draw on a diverse set of influences ranging from Simon & Garfunkel to REM with a strong focus on melody-driven songs with pop and rocks strains. The diversity of the American music scene led us to relocate to New York City and we regularly tour up and down the East Coast. 

Being surrounded by so many different influences has inspired us to explore new and exciting song writing and performance concepts. Our latest CDs reflect our Celtic roots but cross many cultural boundaries, which might explain why we recorded "Circles" in Nashville, Tennessee, "East 12th Street" in New York City and "Belle's Isle," "The Jacket's Green," "Lonely Boy," "Sliabh Liag" and "Toy Theatre" in Ireland.

And if you’re wondering about our name… A friend of Joan’s (Damien Granaghan) came up with it one night at a pub and it meant a lot to us because when we broke out on our own, it meant leaving our Mam who had been our lead singer and our Da who was our manager/road guy/sound engineer and so we became orphans but still surrounded by family and everyone knows that screaming to be heard is what you usually do around close family and dear friends. That and our secondary school used to be an orphanage. There you have it. 
Screaming Orphans

 

 

 

 

Playing a positive-natured brand of hardcore-tinged Celtic punk, Flatfoot 56 has been unleashing itself upon America and the rest of the world for over 10 years now. Forming in 2000, the Chicago natives achieved nationwide attention with their first two label-backed records, 2006’s Knuckles Up and 2007’s Jungle of the Midwest Sea. These releases built on a heavy dose of previously established regional notoriety, helping the band gain steam early on.

While each record received its fair share of acclaim, the quintet exploded onto a new level with 2010’s Black Thorn. Landing the band on a total of 9 Billboard Charts, Flatfoot 56 proved it could consistently reach an expanding audience while treading in a genre not often associated with widespread success.

Frontman Tobin Bawinkel (vocals/guitar) is now set to lead Flatfoot 56 on in their furious march forward. Armed with brothers Justin (drums) and Kyle (bass), along with Eric McMahon (bagpipes/guitar) and Brandon Good (mandolin/guitar), Flatfoot 56 is now preparing to enter the studio again to record its fourth label-backed studio album.

Like Black Thorn, Flatfoot 56’s new album will be produced by the Street Dogs’ Johnny Rioux. “We decided that since the last experience with Johnny was so beneficial, we wanted to repeat it,” Bawinkel said. “We have been friends with Johnny for years our mutual respect fosters a good creative environment for putting together a record. He knows how to challenge us and push us the next level, which is what any band hopes for.”

The band will enter Matt Allison’s Chicago-based Atlas Studios in January to record its first release for Paper + Plastick Records. “We have always respected Paper + Plastick’s independent approach to putting out records because they always seem to promote the creative side of the album,” Bawinkel said. “As a band we all really value that creative vision, and Paper + Plastick is the place to be for that.”

While the record is set to be more rootsy and folk-oriented, it promises to pack the same relentless knock-down punch that fans have grown to expect from Flatfoot 56. More than a decade into its career, Flatfoot 56 isn’t slowing down, but maintaining a blistering pace of touring and musical output. “The next record's sound is taking on a much more mature, heartfelt tone,” Bawinkel said. “We’re writing these songs as life gets thrown at us, and as we all get a bit older and start to interpret life in different ways, we want to express ourselves to reflect the victories and defeats that we all go through. We still love whipping the crowd into a frenzy and making everybody dance but we want to write some tunes that people can relate to, and that they can sing along to.”

The band's new album, yet untitled, will be released in 2012 by Paper + Plastick in the United States, Stomp Records in Canada, and People Like You in Europe. 
Flatfoot56

 

 

 

 

 “Its like growing up with a tear in your eye and a storm brewing in your heart..” muses frontman Frankie McLaughlin on the musical heritage of the group. “We were raised on the Scottish & Irish music in our parents record collection, before colliding head-on with Punk Rock as we grew older & thought we knew everything.”

These two immovable pillars define The Rumjacks above all else, as they continue to cut their own path through the tangled musical landscape before them. Their own brand of Celtic Punk has seen them release two EP’s – ‘Hung, Drawn & Portered’ & ‘Sound as a Pound’ (’09), as well as three powerful full length albums – ‘Gangs of New Holland’ (’10), ‘Sober & Godless’ (’15), & ‘Sleepin’ Rough’ (’16).


Since the bands inception in Sydney, Australia in late 2008 when McLaughlin met Bassist Johnny McKelvey, they have racked up millions of YouTube views, with over 24 million of these alone for their breakthrough track ‘An Irish Pub Song’. Other stunning videos that capture the incredible live energy of the band include ‘Uncle Tommy’, ‘Blows & Unkind Words’ & ’Plenty’, while ‘Crosses for eyes’ and ‘Me Old Ball & Chain’ see them hard at work in the studio.
The videos for ‘Home’, ‘One Summers Day’ weremade while The Rumjacks were on tour, and stand testament to the bands enormous appeal wherever they go.

 

Their incendiary live performances and seemingly endless touring regime has seen them share the stage with acts as diverse as Dropkick Murphys, The Interrupters, Anti Flag, CJ Ramone, The Real McKenzies, Gogol Bordello, Ruts DC, Guttermouth, GBH, UK Subs and The Aggrolites. “We’re at home on any lineup in front of any crowd, I think there are elements of what we do that must appeal to just about anyone.”

 

Indeed there are – from their heavy Celtic roots to the driving punk rock or even ska/reggae rhythms, well-oiled sing-alongs & choking ballads. “We draw on so many influences, but still it’s important for us to force the bounds of what we already do, play good solid Punk rock with a fat smear of Celtic folk right through it, Hopefully contributing something fresh & substantial that’ll stick around in people’s hearts long after the party’s over..”

 

2015 marked a real tipping point for the band, when after wowing home crowds with several appearances at the prestigious Byron Bay Bluesfest in Australia, they embarked on a hugely successful tour of Europe playing to over 50,000 people. Absolutely crushing just about any bands ‘must do’ list, they took in the likes of Boomtown Fair (UK), Montelago Celtic Festival (Italy) and Jarocin Festival (Poland), as well as sell-out shows at many iconic club venues like The Garage (London), Wild At Heart (Berlin) and Rock Cafe (Prague).

 

Barely stopping to cool their jets, the band made a triumphant return to the festivals and concert halls of Europe & The UK in 2016, playing almost a hundred dates over some 24 countries. Inciting hysteria & pushing their own physical barriers as they went, the boys chalked up plumb appearances at some of Europe's hottest festivals, including; Punk Rock Holiday, Lowlands Festival, Exit Festival, Rock marathon, Mighty Sounds, Germany's Taubertal & Open Flair Festivals, and Woodstock Festival in Poland, attended by half a million people. Somehow in the midst of all this they managed to release their third album 'Sleepin' Rough. Along with two dynamic new videos for the singles 'A Fistful o' Roses' and 'Patron Saint o' Theives' (the latter shot in Poland on a rare day off during their EU tour) the album has been met with critical acclaim the world over.

 

2017 see's The Rumjacks make their long awaited maiden foray into the USA & Canada. Where they will tear their way around from San Diego's tin roof in the gaslamp quarter, through New Orleans, Austin Texas for the SXSW Festival & up along the east coast into Canada. They'll return again in September after some more EU summer shows, to headline California’s Get Shamrocked festival. The Rumjacks

 

 

The social and political awareness that drives Flogging Molly’s music is never more prominent than in their upcoming new release LIFE IS GOOD - a strikingly powerful album and it arrives at a strikingly key time. The sixth studio album by the renowned Celtic-punk rockers now in their 20th year is mature, well crafted, equally polished and almost aggressively topical. It is filled with rousing songs that are timeless in their sentiment, but directly related to today’s most pressing concerns: Politics, the economy, unemployment, planned boomtowns gone bust, immigration policies gone awry, and much more.

For singer and lyricist Dave King, it may be the lyrical couplet contained within the surging “Reptiles (We Woke Up”) that points toward the album’s central theme. “We woke up,” sings King, “And we won’t fall back asleep.”

“The thing is, there are things changing,” says King. “That’s why I wrote that line, ‘Like reptiles, we'll all soon be dust someday.’ It’s quite scary, especially for somebody who has children these days--bringing up family in this environment of who’s welcome and who’s not welcome. I'm talking about the cultures in America and the UK--especially American immigration. 

Life Is Good thus serves as a wake-up call to those who have simply stood by while far-reaching political decisions were made that had serious impact on them. And, significantly, it also serves as notice that the time for action is now. 

And people are indeed taking action, adds King, which is a crucial point.

“I think especially with things like government--I think we all tend to fall asleep a little bit when it comes to other people that are making decisions for you. I think we should be the ones influencing the government to make these decisions. It’s a great thing that we’re now taking to the streets again. And it’s a positive thing.”

Imagery abounds on Life Is Good, and one of the most memorable images might be found in “Adamstown,” the saga of a planned community west of Dublin that came to a halt in mid-construction a decade ago when the Irish economy crashed--and left little more than a ghost town in its place. 

“It had a huge negative connotation to it,” King says of the eerie, unfinished settlement. “But now it’s starting to turn again, people are starting to move there, businesses are starting to open, and there is hope.”

Thematically, hope and inspiration are a major part of “The Hand of John L. Sullivan,” a rollicking track about the legendary “Boston Strong Boy” who was the first ever heavyweight champion of gloved boxing from 1882-1892. Sullivan was a hero to many, and his story has a cultural significance that fits squarely within the story Flogging Molly want to tell with Life Is Good.

“He came from an immigrant family to Boston, and they brought their family over to try to make the best possible world for them,” says King. “We live in an environment right now where that doesn’t seem to be what should be allowed to happen, you know? 

Recorded in Ireland and produced by multiple Grammy Award winner Joe Chiccarelli (U2, the White Stripes, Beck), Life Is Good is by any measure a formidable return from Flogging Molly, an assessment with which Dave King fully agrees.

“It’s been a tough few years for a lot of us in the band. Dennis (Casey, guitarist) lost his dad, I lost my mother, and there have been certain issues, pertaining to sentiment, in a lot of the songs. But we just try to do the best we can. We’ve always had fun getting together and coming up with the new songs, and it's still that way.

Here we see what’s uniquely distinctive about Life is Good, as the gravity and weight of these themes never overshadow the sheer fun and exuberance felt in each song. For the message is delivered and built on the backs of boisterous and barreling live touring. 

“We're known for our live shows,” says Dave King. Writing albums has always been a vehicle for us -- it's been a means to get people onto the dance floor. And that's kind of the way we’ve always approached it, no matter what.”

“The one thing we are is a positive band,” adds Dave King. “When people come and see our shows, it’s a celebration--of life, of the good and of the bad. And we have to take the good and the bad for it to be a life.”

FLOGGING MOLLY IS: Dave King (Lead Vocals, Acoustic Guitar, Electric Guitar, Bodhran), Bridget Regan (Violin, Tin Whistle), Dennis Casey (Acoustic Guitar, Electric Guitar), Bob Schmidt (Banjo, Mandolin), Matt Hensley (Accordion, Piano, Concertina), Nathen Maxwell (Bass Guitar), Mike Alonso (Drums, Percussion). 
Flogging Molly

Celtic Heroes of the American Revolution

By Erik Munnrson July 6, 2017

Happy Fourth of July!

 

You probably already know that there were many Scots and Irish involved in the American Revolution. When people say they are proud to be Scottish or Irish Americans they may not be aware of just how strong their heritage has influenced this nation. By the time of the Revolution, Celts were rooted in most of the colonies. Nineteen of the fifty-six members of the 1776 Continental Congress who signed the Declaration of Independence were from Scotland or Ulster (“Scotch Irish”) or had ancestors from those lands. On the other hand, don’t be surprised to hear that many of your ancestors may have actually opposed the Revolution and even fought as Loyalists. This was largely due to the fact that many Celtic settlers here still had strong ties to commerce and family back home. Many owed loyalty to their Scottish Clan first, so if the clan supported the Crown, so did they. Of course, on the Patriot's side there were many brave warriors. Here are three of the most famous patriots of Celtic heritage.

 

 

John Paul Jones is often called the father of the United States Navy

John Paul Jones

 

Perhaps the most famous is Commodore John Paul Jones, called by some (though not all) "Father of the American Navy". Both popular and infamous as a determined and dashing naval leader, he was born John Paul on the estate of Arbigland near Kirkbean on the southwest coast of Scotland. John Paul Sr., his father, was a gardener at Arbigland. John began life as a sailor at the age of 13 and over the years had many adventures and misadventures working the West Indies. He added "Jones" to his name later in life to hide from English law after a dispute where he killed a mutineer with a sword.

 

In 1779, Jones commanded the 42-gun USS Bonhomme Richard in what would become his most famous naval duel. On September 23, Jones’ squadron met a large merchant convoy off the coast of Flamborough Head, East Yorkshire, England. The British 50-gun frigate HMS Serapis and a 22-gun ship Countess of Scarborough blocked Jones from attacking the convoy. The resulting Battle of Flamborough Head would see the Bonhomme Richard sunk, but only after a lengthy engagement which severely damaged all ships involved. When asked by the British commander if he would strike his colors (ie. surrender), Jones supposedly shouted "I have not yet begun to fight!"

 

This actually happened a second time. As Richard was burning and sinking, her standard was hit and broken off by shot. The Brits asked Jones if he was striking his colors once more. His reply was either "I am determined to make you strike!" or "I may sink, but I'll be damned if I strike!" (the latter was the version the newspapers published). In the end, Jones’s hard fighting and use of close quarters tactics, including US Marine sharpshooters in the rigging, allowed his men to board and defeat the Serapis. Richard could not be repaired and had to be scuttled. But Jones took Serapis home to his base in allied France as a prize.

 

The French awarded him the title of 'Chevalier' and inducted him into "l'Institution du Mérite Militaire." The Continental Congress struck a commemorative medal honoring his "valor and brilliant services." To the English, he was just a vicious pirate. After the war, Jones would go on to serve in the Imperial Russian Navy where he earned the rank of rear admiral.

 

 

Henry Knox went from book seller to artillery commander

Henry Knox

 

Henry Knox started out as a clerk in a book store and at one time operated his own book store in his native Boston, Massachusetts. He was of Scotch-Irish heritage; the son of William and Mary (née Campbell). Knox was an eyewitness to Boston massacre. According to his affidavit, Knox tried to defuse the situation by convincing the British soldiers to return to their barracks. Knox was a supporter of the Sons of Liberty. He may or may not have participated in the 1773 Boston Tea Party. We do know that he stood guard before the incident to make sure no tea was unloaded from the British cargo ship Dartmouth.

 

Knox had a lifelong interest in artillery and would serve the Continental Army as chief artillery officer (one of his first actions was directing rebel cannon fire during the Battle of Bunker Hill). One of his most famous and audacious feats was during the siege of Boston. Knox hit upon the idea of utilizing artillery recently captured at the fall of forts Ticonderoga and Crown Point in upstate New York. He led an expedition in December to retrieve the guns. It would be known as the “noble train of artillery" -- ox-drawn sleds hauled 60 tons of cannon and other armaments approximately 300 miles over ice-caked rivers and the snow-shrouded Berkshire Mountains to the rebel army camped around Boston. What was to be a two-week operation took six weeks of struggle against the elements. Frequently guns and sledges broke through river ice or got stuck in snow. However, not a single piece was lost. When they arrived, the new guns were stationed on heights around Cambridge with a clear view of Boston harbor. The British fleet fled to Halifax. Historian Victor Brooks has called the convoy "one of the most stupendous feats of logistics" of the whole war. Knox went on to accompany Washington on most campaigns, a close friend of the general. Knox also served as the first United States Secretary of War from 1789 to 1794.

 

 

 

William Alexander was also known as Lord Stirling

William Alexander

 

Major General William Alexander was actually a hereditary heir to the title of Earl of Stirling through his Scottish lineage and was affectionately known as ‘Lord Stirling’ to his friends and troops. A man of wealth, he outfitted the New Jersey colonial militia at his own expense and served first as their colonel. His first action was leading a group of volunteers in the capture of an armed British naval transport. Stirling was made a brigadier general in the Continental Army in March of 1776.

 

In that same year, Stirling led the 1st Maryland Regiment (known as the "Maryland Line") at the Battle of Long Island. He executed repeated attacks against a superior British force commanded by Gen. William Howe. However, the battle did not go well for the Continentals. Outnumbered twenty-five to one, Stirling’s brigade was overwhelmed and had to retreat. But even this retreat was ordered and tactical. The general was was taken prisoner, but his strategic sacrifice allowed the main body of George Washington's troops to escape to defensive positions and eventually to Manhattan Island. Stirling was praised by both Washington and the British for his courage and cunning. One newspaper called him "the bravest man in America."

 

Stirling went on to be involved in most of the major engagements of the war. He passed away on the 15th January 1783, just months before the Treaty of Paris was signed. Sadly, he has not been well remembered as a result.

Kilt Jackets - A History and Guide Part II

By Erik Munnrson June 21, 2017

MODERN AND FORMAL HIGHLAND WEAR

 

Blending a number of influences dating back 100 to 200 or more years, contemporary kilt jackets, (and highland wear in general) offer more variety now than any other genre of gentlemen’s clothing. Here is a run-down of the origins and details of the standard jacket types you can buy. As we mentioned in Part I, the Victorians set the mold for most modern Highland attire. However, there have been a few innovations and refinements (as well as throw-backs) developed in the 20th century.

 

Argyll Kilt Jackets

When most people think of Argyll jackets, they envision a basic black suit jacket and vest with some fancy buttons. And that is accurate -- the Argyll is the modern go-to if you need a multi-purpose suit option for formal or semi-formal occasions. It is a hybrid of traditional doublets and suit jackets developed by the Victorians. You can think of it as a doublet minus the tashes (tails on the front and back). Argyll jackets once had more variety before splitting off entirely from doublets. Old photographs show quite a variety. Below, we see first a Victorian doublet (left), a transitional Argyll Doublet circa 1912 (center), and a modern Argyll Jacket and Vest (right).

 

Modern Argyll jacket and vest combinations evolved from Victorian doublets and tweed suit jackets

 

Standard Argyll features:

  • ~ Single-button closure "Gauntlet" cuffs 
  • ~ Scalloped pockets (pocket flaps designed after the braiding and decorative buttons on doublet tashes) 
  • ~ Epaulettes (flat or braided) 
  • ~ Metal buttons (silver, pewter or gilt). In time these were standardized to the square "Clann Nar Gael” buttons we see today, though the exact origins of the “loyalty” button are obscure. 
  • ~ Worn with a matching five-button vest. The vest can be worn by itself for warmer, less formal occasions such as festivals.
  • ~ Suitable for black tie affairs such as weddings, formal suppers and dances.
  • ~ Also can be worn with a necktie and used like a regular suit, particularly if you are "on display" (for example - judges of competitions are almost always in Argyll jackets).

 

 

Wallace Jacket and Vest

“Argyll” is sometimes used as a general term for “Scottish suit jacket” or “kilt jacket”. But it is more accurate to use other terms when discussing contemporary designs. Most contemporary jackets emulate ordinary (“Saxon”) suit jackets in their minimalistic detailing and sillouttte, but are cut short in the body to accommodate the kilt. (This is why jacket conversions are a really bad idea, by the way)  One of the most popular contemporary kilt jackets is the “Wallace” also known as a Crail kilt jacket.  As you can see below, it more or less evolved out of the Victorian sack jackets.  

 

Crail and Wallace kilt jackets evolved out of Victorian sack jackets

 

Wallace Crail Jacket Features:

  • ~ No ornamentation 
  • ~ Single-button “Crail” cuffs 
  • ~ Traditional “Clann Nar Gael” buttons usually in pewter or matt black
  • ~ Herringbone barathea wool, usually black 
  • ~ Matching five-button vest

 

 

 

Kilkenny Jacket and Vest

The “Kilkenny” is a modern variant on the Argyll designed to add Irish flair. It features simialr styling to an Argyll, but with an elegant irish twist. Some of the styling was borrowed from Victorian military fashion.

 

The Kilkenny jacket and vest were developed to give Irish men a more personal choice for formal wear. 

 

Kilkenny Jacket and Vest features:

  • ~ Usually made in black or bottle green barathea wool 
  • ~ Pewter or bronze Irish Harp buttons 
  • ~ Pointed cuff decoration borrowed from Victorian military shell and mess jackets.
  • ~ Two-button closure 
  • ~ Can be worn with a matching five-button vest.

 

 

 

Tweed Jackets and Vests

Technically there's really no difference between the standard black Argyll jacket and vest most kilt-wearers have in their closets and a tweed set...except the fabric. But this is a hugely important difference. Tweed Argyll jackets are usually day wear -- suitable for the office, festivals, the pub, Burns Suppers, etc. Although the least formal of all jackets, they are by far the most interesting. There are hundreds of tweeds available including herringbone and windowpane patterns. The fun lies in finding that perfect tweed to match your tartan and personal style. 

 

Since most tweed sets are custom-made, the options you may consider also extend to other features. Do you prefer scalloped pockets and gauntlet cuffs? Flat or braided epaulettes? Lapels on the vest? Or perhaps no ornamentation at all for a more streamlined "crail" look? Antler, leather or pewter buttons? The sky's the limit!

 

 

Tweed highland jackets and vests come in a wide variety if styles and colors

 

 

 

Tartan and Tweed Kilt Suits

While less common today, tartan suits have been around for as long as tartan itself. Modernly, the easiest way to think of a tartan kilt suit is like a tweed set -- you can customize each element to suit your tastes. Usually, sedate tartans will be more pleasing to the eye, so consider using a hunting tartan, weathered or muted tartan. Ancient colour-palette tartans can work. However most modern colour-palette tartans will look garish to the modern eye. A Tartan Vest can be used with a tartan kilt, a tweed kilt, or with trousers, so it is a great option for occasions where you do not wish to wear a kilt.

 

 

Tartan suits are as old as tartan itself

 

 

Tweed kilt jacket suits are currently fashionable. But nobody should think they are something “new”. John Brown, ghillie to Queen Victoria, had one. Essentially a tweed kilt suit is just using the same cloth for an entire outfit. It can be very sharp looking. One interesting look is to use a tartan necktie with a tweed kilt suit -- thus adding a splash of color and interest while also denoting one’s clan affiliation. 

 

 matching tweed kilts and jackets are a modern, yet traditional form of Celtic wear.

 

 

 

Prince Charlie Jacket and Vest

The most recognized formal kilt jacket is a relatively late evolution; the Bonny Prince Charlie jacket, originally named the "Prince Charlie Coatee". The Prince Charlie (or PC) with its accompanying low-cut waistcoat, was developed in the early 20th century. The name "Prince Charlie" was certainly a marketing device of the originating tailors. What it was, in essence, was a Highland option for younger gents who wanted to look stylish and sleek while also traditional. It was presented as a less fusty alternative to the formal doublet worn by Victorians like Grand-dad. 

 

A true hybrid, the PC is part Jazz-age tuxedo and part "coatee" decorated with elements common to 19th-century doublets. The coatee was originally a military cut-away coat with tails adorned with buttons and braiding; a style with roots in the 18th century and streamlined in the early-  to mid-19th. Below, you can see some of the evolution: Napoleonic era Coatee (left), Victorian Officer’s Mess Jacket with low-collar waistcoat (center), modern Prince Charlie (right)

 

 

The popular Prince Charlie jacket and vest is a wonderful hybrid of styles!

 

 

Bonny Prince Charlie "Coatee" features:

  • ~ Tails with silver “Clann Nar Gael” buttons 
  • ~ "Braemar" cuffs 
  • ~ Braided epaulettes
  • ~ Silk / satin peak lapels 
  • ~ Upward-angled bottom hemline (true coatees are straight-cut, like a Montrose jacket) 
  • ~ Low-cut, shawl-collared three-button waistcoat 
  • ~ Black as the standard color, though custom colors are available
  • ~ Suitable for black-tie and white-tie occasions only (“after six”)

 

  

Brian Boru Jacket and Vest

An Irish twist on the Prince Charlie, the Brian Boru is interestingly more similar to the Officer’s Mess Dress jacket which inspired both jackets. I personally prefer it since it looks more Edwardian to my eye. Brian Boru jacket.

 

 

 The elegant Brian Boru jacket and vest gives Irish men a dashing formal kilt outfit

 

 

Brian Boru features:

  • ~ Tails with pewter irish harp buttons 
  • ~ Chain-button closure on jacket
  • ~ Pointed Chevron cuff decorations 
  • ~ Braided epaulettes
  • ~ Silk / satin shawl collar 
  • ~ Low-cut, shawl-collared three-button waistcoat 
  • ~ Black as the standard color, though custom colors are available
  • ~ Suitable for black-tie and white-tie occasions only (“after six”)

 

 

 

Modern Doublets

Doublets in various designs have never gone away. They are now reserved strictly for bagpipe bands or formal wear (unless you are a rock star or a really fashion-forawrd person). Modern doublets still bear all the hallmarks of their Victorian predecessors. However, there is a marked difference between the military-esque doublets used by pipers and those for civilian formal dress. 

 

The modern civilian version is known as a "Regulation Doublet" and was first offered around 1900. Like the Prince Charlie, it is a hybrid. It looks, for all intents, like a PC jacket but with tashes instead of the coatee-style tails. It is usually made of black barathea, but bright red is another popular option -- especially for men with a military background.

 

Then there is the highly romantic Chieftan's Vest. This garment is actually a sleeveless doublet designed to emulate a historical look but with modern penache. It is not really consdiered rormal wear, though it is a very popualr choice for fantasy, rennaisance, or historically themed weddings. it's a fun accessory for festivals and fairs or parties and looks great paired with a highland shirt or even a Great Kilt. 

 

Below: Military-style Pipe Band Doublet (left), Regulation Doublet (center), Chieftan's Vest (right). Quite a difference! And yet each one still retains distinct doublet features such as the tashes - the flaps hanging down from the waistline.

 

 

USA Kilts offers a variety of doublet styles  

 

 

 

Alternative Jackets:

 

The Sheriffmuir Doublet Jacket

Gaining popularity fast, the Sheriffmuir is a hybrid formal jacket styled after 18th- and 19th-century military doublets. It is similar to other doublets except that it features a standing collar and is not made to close. It is usually worn with a matching high-cut, five or six button vest, but tis optional and varies. The Sheriffmuir may feature Braemar or gauntlet cuffs depending on the maker (the gauntlets are more common). It is often rendered in velvet instead of wool. Black is still the standard color, but it may be made in other colors such as grey, red, green or even purple. Sheriffmuir sets are often worn with a Jabot (a lace ruffled neckerchief) and lace cuffs. USA Kilts can custom order a Sheriffmuir  for you. Feel free to contact us. 

 

 

 The Sheriffmuir is an interesting hybrid doublet

 

 

 

The Montrose Doublet

The Montrose is a double-breasted variant doublet. However, it's military pedigree comes from the 19th-century Shell Jacket (below, left). This accounts for the double-breasted construction and two rows of five buttons as well as the lack of tashes. The Montrose is typically worn with a belt, a lace jabot and lace cuffs. It can be made of barathea wool or velvet.  USA Kilts can custom order a Montrose Doublet  for you. Feel free to contact us. 

 

 

 The Montrose Doublet can be special ordered from USA Kilts

 

 

Sheriffmuir and Montrose jackets have an odd reputation. They are seen by some as very romantic and appropriately traditional. By others as too effeminate to the modern eye. They are certainly not ubiquitous the way the Prince Charlie is -- more of an option for someone who wants something different.

 

 

 

The Kenmore Doublet

The Kenmore doublet, also designed around 1900, is a single-breasted version of a Montrose Doublet, but with tashes. It is a middle-ground between the old-fashioned doublet and more modern wear. Another way to think of it is as a stiped down military bagpiper's doublet. The point being, it offers a military look for civilian formal wear.  It is typically offered in velvet, but barathea wool is also used. It can be worn with or without a jabot.

 

 

 The Kenmore Doublet, available by special order, from USA Kilts

 

 

Clearly, Highland fashion is the culmination of many elements. And certainly it will continue to evolve as gentlemen re-examine old styles, invent new pieces, and combine elements to create all-together new looks. This just goes to prove that ours is a dynamic tradition full of romance and elegance as well as creativity.